Search: Starring Ray Wise

This film is an impressive contribution to the genre and marks out its two young leads as ones to watch.

Apparently it's supposed to satirise Hollywood bad behaviour, but it's fundamentally too tame for that.

Baron, who at just 18-years-old is a prodigy by anyone’s standards, weaves a tapestry of Lynchian threads through this gorgeously presented film but ends up with something which works on its own merits.

While many a primetime drama has ended up drowning in soap, CSI could do to take a shower in it a little more often.

Smart, witty and genuinely scary in places, Digging Up The Marrow delivers much more than you'd expect.

Good Night, And Good Luck proves that it is still possible in the cinema, if not in television, to inform without being boring and entertain without condescending.

Though it does distinctly better than most work in the genre, the film still has a problem with sensationalism.

Both leads flounder around with low level racist and misogynistic lines that were probably intended to be daring but are in fact more likely to cause offence just because they're so badly written.

The story has built-in limitations.

Thayer's unrelenting impression of nails scraping down a blackboard meas that by the end of an hour and a half you'll be ready to kill Deb yourself if the zombies haven't.

A cross-pollination of tough Dirty Harry and Frankenstein - often startles the viewer with imagery and ideas.

This has been a huge undertaking on the part of Eastwood Allen and Christopher Griffiths.

This film hinges on a powerhouse performance from Sheryl Lee the like of which has rarely been committed to celluloid.